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I was having this conversation with a fellow playwright last night (in the theater, of course). What a terrific observation this blog post is and yes, a new one.

Bitter Gertrude

My theatre company is in heavy season planning mode, so I’ve recently read dozens of new plays. I’m always reading new plays, but this time of year, I’m reading a lot of plays, all day long. We’re making an effort to find more plays by women playwrights. We get between 300-400 unsolicited submissions each year, as well as submissions from agents and theatre professionals (playwrights, other ADs or LMs). 75% of those plays are by men, without fail. Unsurprisingly, 75% of the plays we’ve done over our 17 seasons have been by men. So we’re making an extra effort to find women playwrights and ask them to submit.

My company does new plays by “emerging” playwrights (I understand the controversy around that term, but this post isn’t about that, so let’s move on), so I’m reading unpublished plays, many (if not most) by early career, relatively inexperienced playwrights. I noticed…

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